ie School of Architecture

Sala de Conciertos en Águilas. Estudio Barozzi Veiga

El objetivo del concurso era construir un auditorio para el municipio en una parcela situada en el puerto de Águilas.
El proyecto surge como una respuesta a la particularidad del sitio: por un lado, la necesidad de una relación con el tejido urbano que crece hacia el centro de la ciudad, mientras que por otro lado la preservación de la naturaleza expresiva del paisaje circundante.
En esta contraposición, el proyecto define las tensiones que lo articulan y le permiten formar una respuesta coherente a las condiciones del entorno. A través de esta contraposición, el proyecto se define como una reflexión dialéctica, sobrio y de gran alcance, entre la artificialidad urbana y las formas naturales.
El proyecto aparece como una masa modelada de acuerdo a las tensiones de los diferentes espacios alrededor de ella. Hacia la ciudad, ofrece una parte urbana, limpio, ordenado fachadas, que recrean una cerveza edificio hacia las calles. El proyecto hacia la bahía está modelado con grandes superficies cóncavas que se relacionan fuertemente con el paisaje circundante. Se sienta como la vela, frente al mar, formado de acuerdo al perfil de la costa y se abre hacia el horizonte

ie School of Architecture lo descubrió en marzo de 2010

listas: s_XXI , use_AUDITORIUMS_AUDITORIOS , use_PAVILIONS , use_projects

etiquetas: barozzi veiga , música , sala de conciertos , águilas

Filarmónica en Szczecin. Estudio Barozzi Veiga

Proyecto diseñado por el Estudio Barozzi Veiga (España), ganadores del concurso para la nueva sala de conciertos de la Filarmónica de Szczecin en Polonia
Szczecin es una de las ciudades más interesantes y grandes de Polonia. Esta área metropolitana ha estado descuidada por muchos años en cuanto a estética. Ahora la ciudad tiene la oportunidad de entrar en Europa con un rostro renovado sin miedo a los desafíos, abierta para sus habitantes y turistas.
Durante la segunda Guerra Mundial, la tradicional sala de conciertos fue destrozada por las operaciones militares. El proyecto trae de vuelta la función perdida al sitio, subrayando la zona y acentuando el corazón de la cultura de la ciudad. Todo esto por un edificio fuerte, espectacular, con una enorme carga emocional. El nuevo edificio completa la ruta turística existente y revitaliza la ciudad. Es un icono contemporáneo, una nueva catedral para la ciudad. La expresión arquitectónica del proyecto es una continuación del patrimonio histórico de la región. Nace de encerrar el espacio , desde los tejados y distintas divisiones verticales del barrio de edificios de viviendas, el adorno del estilo neogótico, la monumentalidad y la verticalidad de las iglesias de Szczecin. El proyecto encuentra un balance entre la verticalidad y la masa.
El edificio consta de muchos elementos de pequeña escala que todos juntos crean un conjunto impresionante, cooperando perfectamente con el lugar donde está situado.
La fachada de cristal refleja las impresiones de la ciudad, y los cambios con los años y los días de las estaciones. Durante el día el edificio aparece como un objeto brillante frente al fondo gris de la ciudad. En la noche se convierte en una espectacular catedral brillante, la luz de Szczecin.

ie School of Architecture lo descubrió en marzo de 2010

listas: s_XXI , use_AUDITORIUMS_AUDITORIOS , use_PAVILIONS , use_PUBLIC_SPACE

etiquetas: barozzi veiga , filarmónica , música , polonia , szczecin

Herzog De Meuron

ie School of Architecture lo descubrió en enero de 2010

listas: use_AUDITORIUMS_AUDITORIOS , use_EXHIBITIONS HALLS_CONGRESS , use_HOTEL_LODGE , use_OFFICE_WORK_SPACES , use_PARKING_GARAGE , use_PUBLIC_SPACE , use_RESIDENTIAL_VIVIENDA_colective , use_RESTAURANTS_BARS , use_SHOP, COMERCIAL_TIENDA, LOCAL

etiquetas: herzog & de meuron

listas: s_XX , use_AUDITORIUMS_AUDITORIOS

etiquetas: arquitectura , scharoun

The construction of the Kammermusiksaal (chamber music hall) in 1987 completed Hans Scharoun’s concept for the ‘Kulturforum’ almost thirty years after construction had started on the Philharmonie in 1960. The Kammermusksaal was completed just as the Berlin Wall was about to topple; Scharoun’s Kulturforum was simultaneously seen (by different people) as a symbol of Western cultural and artistic sophistication and a future cultural center for a united Berlin. The Kulturforum also includes the Staatsbibliothek and the Neue Nationalgalerie.

The design of the Kammermusiksaal was influenced significantly—both in its design and in removing red tape and financial hurdles of completing the project—by Edgar Wisniewski, a pupil of Scharoun. The basic concepts of the building, nonetheless, are clearly related to its next-door neighbor, the Philharmonie. The building is designed from the inside-out, with blocks of seating accommodating the audience in a 360 degree rake around the central stage. If the central stage arrangement was an experiment in the Philharmonie, it was taken for granted—and taken further—in the Kammermusiksaal; seats are configured to allow moving ensembles and experimental music, in which performers are placed in multiple locations.

ie School of Architecture lo descubrió en diciembre de 2009

listas: s_XX , use_AUDITORIUMS_AUDITORIOS

etiquetas: scharoun

architects:
Hugh Stubbins, Düttmann and Mocken 1956-57

The Congress Hall, former called "Benjamin-Franklin-Halle", was the American contribution to the International Building Exhibition in 1957. It was declared as a gift of America to its close affiliate of West Berlin.
On the basis of plans by Hugh A. Stubbins, and with the cooperation of Werner Düttmann and Franz Mocken, a technically revolutionary building was built on the south bank of the Spree in the eastern part of the Tiergarten. The people of Berlin soon gave the building a fitting nickname: "pregnant oyster".

Above a base story measuring 92 by 96 meters rises the wide sweep of the roof structure. The roof is supported on both sides by steel anchors which only rest on two points. The base story is generously glazed on both sides and comprises three staggered levels with the large reception hall, a cafeteria, a theatre auditorium with 400 seats, an exhibition area, further smaller rooms for congresses, seminars and the administration and, on the side facing the spree, a two-story restaurant.

The hall itself contains the auditorium. Because of the almost round floor plan, the stage at one side is comparatively wide and shallow, and the rising rows of the seats for the audience become increasingly wide. The auditorium seats 1250.

In the central axis of the entrance side - facing away from the river - a large outdoor flight of steps leads to the terrace, which is rarely used because the entrance is in the base story. In front of the building is an impressive large pond, in the middle of which Henry Moore's bronze sculpture "Big Butterfly" can be seen.

In 1980 part of the roof collapsed because the steel core of the front roof arch had rusted through. Although there was no concept for its use, the hall was reconstructed for the 750 year celebrations in 1987. Since 1989 it has been used under the name "House of the Cultures of the World" as a site for events and exhibitions.

Sebastian Krauß 2001

ie School of Architecture lo descubrió en diciembre de 2009

listas: s_XX , use_AUDITORIUMS_AUDITORIOS , use_EXHIBITIONS HALLS_CONGRESS

etiquetas: hormigon armado

arquitecto
RAFAEL MONEO VALLÉS

listas: s_XX , use_AUDITORIUMS_AUDITORIOS , use_EXHIBITIONS HALLS_CONGRESS

etiquetas: moneo

architects Snøhetta

snoarc.no

Snøhetta is an international architecture, landscape architecture, and interior design office based in Oslo, Norway and New York City.

Snøhetta has two principals, Craig Dykers and Kjetil Trædal Thorsen. In addition there are four partners, architect Robert Greenwood, architect Ole Gustavsen, architect Tarald Lundevall, and landscape architect Jenny Osuldsen. Ole Gustavsen fulfills the role of Managing Director for the company. In 2006 Snøhetta had approximately 80 designers working on projects in Europe, Asia and America.

Among Snøhetta’s notable works are:

* The Bibliotheca Alexandrina (Library of Alexandria) in Egypt
* The Norwegian Embassy in Berlin
* The New National Opera House in Oslo
* The Turner Contemporary Museum in England
* The Lillehammer Art Museum in Norway
* The National September 11th Memorial Museum Pavilion/Cultural Complex at the World Trade Center site in New York
* The James B. Hunt, Jr. Library at North Carolina State University in Raleigh, NC

The practice is focused upon a transdisciplinary platform where multiple professions work together to explore differing perspectives of the conditions for each project it undertakes. The nature of the solutions often dwells upon the relationship of the program and site. While not emphasizing one condition or one attitude over another, the result is a design intention that promotes a narrative of what it is, where it is, what it does, and how it does it.

The company is composed of designers and staff from around the world and the social environment and working conditions of the firm is very important to its members.

listas: s_XXI , use_AUDITORIUMS_AUDITORIOS , use_EXHIBITIONS HALLS_CONGRESS

etiquetas: auditorium , opera

rem koolhaas
OMA

GETTING TO MOA & CONTACTS

Directions
The MoA is located to the left of the main gate of Gwanak Campus, Seoul National University. Take the subway or a bus to the main gate and walk through the staircase of the amphi-plaza on the left of the gate. If you are driving, you can use the university parking lot (parking fees applicable).

Transportation
Bus: 5511, 5512 (previously 413), 5513, 5516 and 5518
Subway: Seoul National University Station on Seoul Subway Line 2, Exit No. 3 (use school shuttle buses, city buses (5511–3) or taxicabs)

* For more information regarding transportation, please refer to snu.ac.kr website.

Parking
Use the Grand Stadium Parking Lot or designated parking spots on campus.
Hours of operation: 00:00–24:00 (parking fees is applicable depending on time)
Parking fees: minimum 1,500 Korean won/30 min, 500 Korean won per 10 min thereafter.

Contact
Tel: 880-9504 / Fax: 886-9502
Administrative Office: 880-9503-5 / Curatorial Office: 880-9506-9
E-mail: info@snumoa.org
Address: MoA (Museum of Art, Seoul National University), San 56-1, Sillim-dong, Gwanak-gu, Seoul 151-742

ie School of Architecture lo descubrió en octubre de 2009

listas: s_XXI , use_AUDITORIUMS_AUDITORIOS , use_EXHIBITIONS HALLS_CONGRESS , use_LANDSCAPE , use_MUSEUM_MUSEO

etiquetas: koolhaas , oma , steel , truss

listas: s_XXI , use_AUDITORIUMS_AUDITORIOS

etiquetas: hormigon , zaha hadid